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	<title>Street Art &#8211; MOCA BANGKOK</title>
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		<title>THE BOOTLEG SHOW</title>
		<link>https://www.mocabangkok.com/the-bootleg-show-en/</link>
		
		<dc:creator><![CDATA[nott]]></dc:creator>
		<pubDate>Wed, 02 Apr 2025 09:30:41 +0000</pubDate>
				<category><![CDATA[COLLECTIONS & EXHIBITIONS]]></category>
		<category><![CDATA[Temporary exhibtion]]></category>
		<category><![CDATA[MRKREME]]></category>
		<category><![CDATA[Street Art]]></category>
		<category><![CDATA[THE BOOTLEG SHOW]]></category>
		<guid isPermaLink="false">https://www.mocabangkok.com/?p=1451</guid>

					<description><![CDATA[The Bootleg Show emerged from the inherent distortions that occur during the manufacturing of art toys, where the artist observed a notable gap between factory-produced versions<span class="excerpt-hellip"> […]</span>]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">The Bootleg Show emerged from the inherent distortions that occur during the manufacturing of art toys, where the artist observed a notable gap between factory-produced versions and his original designs. This observation raised an important question: where does true originality reside?</span></p>
<p><span style="font-weight: 400;">MRKREME (Varagun Chongthanapipat), a Thai-Hong Kong artist born in 1993, combines his background in industrial design with a unique creative vision. His artistic journey began with art toys, later expanding into painting to push the limits of his imagination. Central to his work is Mushkin, a furry monster whose development was shaped by unintended distortions encountered during the manufacturing process. In mass production, limitations in the factory—whether from human error, design flaws, or material constraints—inevitably lead to variances and imperfections. These distortions became a key theme of The Bootleg Show, prompting MRKREME to reimagine Mushkin and its monstrous kin through various forms, questioning what constitutes originality and how viewers interpret these creative shifts.</span></p>
<p><span style="font-weight: 400;">The official version of The Bootleg challenges conventional notions of originality. MRKREME invited collaborators to reinterpret Mushkin through their memories, resulting in unexpected designs that he brought to life. In this series, MRKREME employs plasticine clay as the primary medium. The distinctive qualities of plasticine—its vibrant colors and malleability—allow for boundless creative possibilities. However, plasticine also represents a symbol of temporality. Its soft, moldable nature means that it is constantly changing, susceptible to the slightest touch or pressure. This ever-shifting material mirrors the fleeting and impermanent nature of creativity itself. What is shaped one moment can easily transform into something entirely different the next, making plasticine the perfect medium for exploring the fluidity of artistic expression.</span></p>
<p><span style="font-weight: 400;">Plasticine was first used by MRKREME to create prototypes for his art toys, and now he returns to it as a means of intentional distortion. This manipulation of form, enabled by the pliability of plasticine, is reflected across MRKREME’s multidisciplinary works, including paintings, sculptures, and video installations. These works often incorporate elements of parody and appropriation, further blurring the boundaries between original creation and transformation.</span></p>
<p><span style="font-weight: 400;">The Bootleg Show presents the factory not only as an industrial process but as a space for creative deformation. The mass production of Mushkin and its variations across mediums and sizes embodies how factory limitations can lead to unexpected artistic possibilities. The imperfections inherent in mass production are not seen as flaws, but rather as opportunities for innovation and reinterpretation.</span></p>
<p><span style="font-weight: 400;">The exhibition celebrates bootlegging as a dynamic creative force, turning distortion and reinterpretation into powerful tools for artistic growth. MRKREME embraces both accidental and intentional bootlegging, dissolving the distinction between originality and reinvention. Audiences are invited to rethink the meaning of originality and imperfection, engaging with The Bootleg Show through their own unique interpretations and imaginative respons</span></p>
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		<title>MAMFAKA REIMAGINED</title>
		<link>https://www.mocabangkok.com/mamafaka-reimagined/</link>
		
		<dc:creator><![CDATA[innovatecreation]]></dc:creator>
		<pubDate>Fri, 01 Dec 2023 09:30:06 +0000</pubDate>
				<category><![CDATA[COLLECTIONS & EXHIBITIONS]]></category>
		<category><![CDATA[Temporary exhibtion]]></category>
		<category><![CDATA[MAMFAKA REIMAGINED]]></category>
		<category><![CDATA[Pharuephon Mukdasanit]]></category>
		<category><![CDATA[Street Art]]></category>
		<guid isPermaLink="false">http://www.mocabangkok.com/?p=870</guid>

					<description><![CDATA[Pharuephon Mukdasanit, originally a graphic designer, had a successful career working with renowned advertising agencies in Thailand. He was also one of the founding members of<span class="excerpt-hellip"> […]</span>]]></description>
										<content:encoded><![CDATA[<p>Pharuephon Mukdasanit, originally a graphic designer, had a successful career working with renowned advertising agencies in Thailand. He was also one of the founding members of B.O.R.E.D. (Brand Of Radical Experimental Design), a group of innovative visual graphic designers formed in 2002. The group quickly gained recognition as some of the best in the country. However, after nearly a decade, each member of the group began to explore their own unique style and creative path.</p>
<p>In 2011, Mukdasanit transitioned into the role of a freelance artist and joined a collective of street artists called &#8220;FOR.&#8221; Many of the artists within this group have since become well-known household names in the art world. During this time, Mukdasanit adopted the name &#8216;MAMAFAKA&#8217;, becoming known by this moniker in the art community.</p>
<p>One of Mamafaka&#8217;s most iconic characters is the &#8216;one-eyed hairy monster&#8217; known as &#8221; Mr.HellYeah!&#8221; This character became a sensation and a huge success within Thailand&#8217;s street art scene, propelling Mamafaka into both national and international recognition. Mamafaka played a significant role in popularizing street art in Thailand with his unique and polished style.</p>
<p>His artwork has consistently been featured in numerous magazines and blogs, including Computer Arts, Wallpaper, and Hypebeast, among others. Mamafaka&#8217;s talent has also caught the attention of global brands such as Rip Curl, Converse, Adidas, Vespa, Honda, and Smirnoff, to name just a few. His collaborations with these brands have further solidified his reputation as a prominent figure in the art world.</p>
<p>On Monday, September 9th, 2013, Mamafaka tragically passed away in a drowning accident. In honor of his memory, artists from various creative fields, including music, fashion, and design, came together to create dedicated pieces of artwork for his funeral. Within just five days, over 400 artworks were submitted to be exhibited as fan art at the funeral.</p>
<p>&nbsp;</p>
<p>&#8220;Mamafaka Reimagined&#8221; serves as a tribute to the late artist and trailblazer. It features works from Mamafaka&#8217;s private collectors and friends, as well as pieces inspired by his iconic character, Mr. Hellyeah, created by twelve talented artists. Many of these artists were close friends of Mamafaka, and this event provided them with a meaningful way to remember him and carry on his legacy.</p>
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