PERMANENT EXHIBITION

 

The visitors may experience today began in 1979 with the purchase of Lady, a modestly priced oil on canvas that combines classical influences depicting the naked female form of a Venus-like vision in sensual pose, enswathed in unmistakably Asian- influenced adornment and interpretation. The Thai artist could not subdue his Thainess and the Italian classical iconographic portrayal had transformed into a new school of representationof a classically established art form.

In Thai artists' hands even classically inspired works transcend the expected, lifting their art to a spiritual level that reveals how Thai culture and Thai art are inseparable even when under pressure from established outside influences. The artist Anand Panin of this particular piece of art, although respected as being a good artist and able to live from the sale of his works, could not today have his art compared to that of Sandro Botticelli's or William-Adolphe Bouguereau's The Birth of Venus. However, in years to come Anand Panin may well be heralded as a definitive statement in the development of contemporary Thai art on the
international platform.

  • G FLOOR
  • 2nd FLOOR
  • 3rd FLOOR
  • 4th FLOOR
  • 5th FLOOR

 

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

PERMANENT EXHIBITION

 

 

The visitors may experience today began in 1979 with the purchase of Lady, a modestly priced oil on canvas that combines classical influences depicting the naked female form of a Venus-like vision in sensual pose, enswathed in unmistakably Asian- influenced adornment and interpretation. The Thai artist could not subdue his Thainess and the Italian classical iconographic portrayal had transformed into a new school of representationof a classically established art form.

In Thai artists’ hands even classically inspired works transcend the expected, lifting their art to a spiritual level that reveals how Thai culture and Thai art are inseparable even when under pressure from established outside influences. The artist Anand Panin of this particular piece of art, although respected as being a good artist and able to live from the sale of his works, could not today have his art compared to that of Sandro Botticelli’s or William-Adolphe Bouguereau’s The Birth of Venus. However, in years to come Anand Panin may well be heralded as a definitive statement in the development of contemporary Thai art on the
international platform.

  • G FLOOR
  • 2nd FLOOR
  • 3rd FLOOR
  • 4th FLOOR
  • 5th FLOOR

 

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

  • 2nd FLOOR

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

  • 3nd FLOOR

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

  • 4nd FLOOR

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.

 

 

 

  • 5nd FLOOR

The Ground floor is comprised of four exhibition halls. There are two hallsfor temporary exhibitions and two halls for exhibiting the artworks of two National Artists and an Artist of Distinction in Sculpture. The exhibition displays signature pieces of Professor Chalood Nimsamer’s, a National artist in sculpture, as well as paintings that reflect significant aspects of Thai contemporary art. Also on display are works from Paitun Muangsomboon, who has likewise been awarded the status of National Artist in Sculpture. His works led to an important transformation of sculpture formation from ideality to international reality. Also on display are works from Khien Yimsiri, an Artist of Distinction, and a pioneer of Thai contemporary sculpture. Yimsiri’s works are progressive, unique, and harmoniously integrate both Thainess and universality. His concept was inspired by the style of Buddha images from the Sukhothai Period, as well as Thai tradition and culture in general.